[simpleton]

Special guest stars dept.

December 19, 1997
New Ones Monday through Friday

Howard Stern Presents:

[emily+howard]

Today's guest: Emily Dickinson

By David Pellicane



GARY

Howard, she wants her sister Lavinia to come in with her.

JACKIE

Vagina?

HOWARD

Jesus, who do people think I am? Bring her in.

ROBIN

Remember Howard, she hasn't been out in public for eight years. Try to be sensitive.

HOWARD

Robin, say hello to Mr. Sensitivity, he's right here in my pants. Emily! How are you?

EMILY

Fine, thank you.

HOWARD

Why don't you tell our audience a little about what you do.

EMILY

I have written nearly 2000 poems.

HOWARD

You know Emily, to be honest, I just don't get poetry.

ROBIN

That doesn't surprise me.

HOWARD

And you're some kind of literary genius?

ROBIN

I did quite well in my literature classes, thank you.

HOWARD

Yeah, so did Stuttering John, look where he is. The only thing to you have to remember with this poetry is it all leads back to sex. Right, Emily?

EMILY

It would be unjust to simplify it so.

HOWARD

But it all stems from that, right? I mean I've heard you've had all kinds of trouble with men, in fact, someone told me you're still a virgin.

ROBIN

Howard! Or should I say Mr. Sensitive?

HOWARD

Seriously, Robin, what happens with these poetry chicks is someone breaks their heart and they start brooding and writing, lighting candles and walking around barefoot, and they never go out again. That's it, right - some guy broke your heart when you were young?

EMILY

A heart broken twain can love twice as many, and broken again can love four.

ROBIN

She's got you there, Howard.

HOWARD

So you're telling me you've been in an orgy? I haven't got laid in three weeks and poets are having orgies. Sometimes I really wish my wife would get struck by lightning. Quick, painless, and I'd be dating at the funeral.

EMILY

The ideal marriage is two hearts and one love, but my matching heart died young.

HOWARD

Trauma! You may be ready to swing the other way, you think you want to date women now? Try something different, more caring, more tender? Gary, set up lesbian dial a date!

EMILY

I think I am content, thank you.

HOWARD

You're not bad looking either, you realize that? You've kind of got that Holly Hunter ugly sexy vibe going, like in The Piano, I'll bet Stuttering John would do you. Hey, get John in here. . . John, would you do her?

ROBIN

Maybe we should hear some of her poetry.

JOHN

Sure, I wwwould dddddo her. She's cute. Intellectuall lllllooking.

HOWARD

All you need to do, honey, is hang out in some of those coffee shops in the village, first get rid of that grey dress, wear a black cape or something

JACKIE

One of those long dresses that drags on the ground. Hide that skinny ass.

HOWARD

Yeah, right, and then read some of your poetry out loud and those skinny guys will be all over you, you'll be getting laid so much you won't have time to write.

ROBIN

Let her read a poem, Howard.

HOWARD

Okay, okay. Now remember, poetry is always about sex. Fred, some music.

[spanking the poet]

(Pornography sound track begins: drums, wah guitar, moaning girl)

EMILY

A narrow Fellow in the Grass

HOWARD

Whoa, stop right there! We all know what that is. I told you Robin! I'm going to start reading poetry, maybe leave a book of it in the bathroom, help me get some release.

ROBIN

I really don't think that's what it is intended for, Howard.

EMILY

Occasionally rides

JACKIE:

Rides, hoo hoo.

HOWARD

Shut up Jackie. Emily, did you know Jackie has written two thousand poems about pot?

EMILY

The Grass divides as with a Comb, a spotted shaft is seen.

HOWARD

Okay, what I'm getting here is that you really want some, but you can't express physically it so you put it down in poetry, is that right?

ROBIN

She's not going to interpret it for you Howard, that's not how it works.

HOWARD

What's that? You're not going to tell us what it means? Then why do we have you on here? We could go home and read the poem!

ROBIN

You need to make your own interpretation.

HOWARD

Emily, what are you talking about so far, sex right?

EMILY

A poem is more than just the words.

HOWARD

Don't start that crap. What is it, some big secret, come on, what were you thinking about when you wrote this.

EMILY

I really can't recall.

HOWARD

Well, can you remember what you were wearing. Was it late at night?

EMILY

I usually work in the mornings.

HOWARD

Okay, so early in the morning. Do you sleep in the nude?

EMILY

Gracious no!

HOWARD

So it's early in the morning and you're wearing your panties and all you can think about is this snake in the grass. Like a dream. Did this thought make you aroused?

EMILY

Writing always arouses me.

HOWARD

Wow. So you're writing and thinking and just waiting for a man to come along, for this narrow fellow, okay now I'm getting it.

FRED

We need a break.

HOWARD

Okay, okay, off the air, you can you give me the details off the air, I won't tell, promise. Back in a minute with sexually frustrated poet Emily Dickinson . . .


Call us and get on the air!







Previously in simpleton:



Thursday: 1997 The year in review
Wednesday: Reader mail Volume 11
Tuesday: Is that in your pocket a Babel Tower?
Monday: News you can Lose: Random acts of context
Friday: Feeb: The Simpleton's vain effort to be respectable
Thursday: How to be an American: A simpleton civics guide


A century of simpletons in the simpleton archive.


Tomorrow:

A simpleton Christmas: Vacation begins