[simpleton]

April 13-14, 1999
New ones Monday through Friday

Notebook entry

A brush with greatness

[to tim]

The image above is not an illusion. It is an autograph from Lewis Henry Lapham, the legendary editor of Harper's magazine. This autograph is 100% authentic, and it was obtained by me about six weeks ago, after considerable effort.

Circumstances: I attended a panel discussion called The Monk and the Philosopher on the Berkeley campus. The panel - built around the French philosopher Jean Francois Revel and his son, the Buddhist monk Matthieu Ricard - was convened to discuss the nature of religion, belief, spiritualism, etc. in the modern world. You can imagine how painful the Q&A period was, as various California flakes put long, meandering questions to the stellar panelists.

No matter. We were there for the all-star panelists. Representing the atheist perspective was none other than Christopher Hitchens, fresh off his Blumenthal dust-up and winning the crowd easily with his acidic wit. Our group had come to see Hitchens in fighting trim, and we weren't disappointed.








[lewis types]

But where cool factor was concerned, Hitchens didn't stand a chance against the wily Harper's honcho, who moderated the panel. Oh, it's easy enough to cast aspersions on Lapham. Who doesn't chortle when the inveterate fussbudget writes in his Notebook column of having clipped this or that juicy morsel from the newspaper, and filed it under some heading - "Mass Assumptions," "Cultural Buzzwords," and the like.

All these naysayers might feel differently if they could get an up-close experience of the Lapham style. With his sensible suit, horn-rimmed glasses and air of polished wooliness, Lapham does early-sixties retro without even trying. Very now, yet timeless as a Rolls Royce. You could easily picture Lapham sitting at his ease around an amoeba-shaped coffee table, shooting the breeze in black and white with Dick Cavett or David Frost.

But it wasn't until after the discussion, as he hung out in the courtyard with one of his trademark cigarettes, and publishing hopefuls gingerly approached him in hope of currying favor, that Lapham could really be Lapham.

Of course, the people I was with urged me to go over and score some of my own browny points with the Big Man. And of course, I considered it. But did I really want to spoil my meeting with a Master by exuding that mortal odor of inept self-promotion ("I, um, write a lot of stuff on the Web, but I really feel I'm more of a magazine journalism type")? If I wanted to approach with honor a man of Lewis Lapham's caliber, it would have to be through an autograph request - the one form of supplication so abstracted as to become a kind of commerce in niceties.

But how do you get the right signature? I correctly surmised that the old softie would be kind enough to ask how I wanted it inscribed. Keep reading simpleton? Too hard-sell. I read simpleton every day? Hard sell and clearly untrue. Maybe Tim, Thanks a Million! Too arch!

Our most acute doubts yield our most elegant solutions. I settled on the Spartan, Best, Lewis H. Lapham - no pretense, no importunate coziness, just a token of respect between two old pros. And there, on a temperate East Bay evening, with an extinguished cigarette butt still perched in his teeth, Lewis Lapham dashed off his modest envoie to Tim Cavanaugh.






[best]

Needless to say, I passed along Lapham's signature to supreme Handwriting Analyst Bart Baggett, whose MyHandWriting.Com site provides a wealth of useful and unique handwriting analysis materials at reasonable prices. Observe how Bart, to whom I had said nothing about Lapham or the signature, formed a convincing picture of the writer:

Heavy pen pressure indicates deep-seated emotions, passion, and the tendency to hold onto emotional garbage much too long. His best trait is "persistence".. this guy never gives up. And I have to give him high marks on the intelligence scale; smooth talker, quick mind, analytical, aloof. Cool cat with a sharp toungue. But don't try and convince him of the coming of the Lord. I don't know what he believes in, but his mind is made already up.

I must stress again that Bart had no coaching from me on this signature. Yet, just as he did the last time I asked him for analysis, Bart immediately grasped the individual personality, and even introduced that unsolicited line about the coming of the Lord. Just by looking at the signature, Bart detected the spiritual residue that Lapham was still showing from the heady religious talk he had been listening to moments earlier. Even I couldn't detect that, and I was there!

All in all, I couldn't have been happier with my autograph score. My only moment of esprit d'escalier came when I thought back to that extinguished cigarette butt. As it happened, I had a bag of Drum tobacco in my pocket. What if, instead of standing there like a galoot while he signed his name, I had rolled up a fresh cigarette in a jiffy, and offered it to Lapham? What an icebreaker! Lapham and I would have been smoking pals!

But it's probably best I kept my goals limited. Lapham might have been put off by the hand-rolled cigarette. He might have found my feverish rolling ennervating, or thought it creepy that I was so solicitous. Better to walk away with the quiet satisfaction that can only come from passing a happy moment with Harper's editor Lewis Henry Lapham.

[thanks a million! - simpleton]



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Previously in simpleton:



April 12, 1999: Phone bone
The dying art of the obscene phone call
April 8, 1999: What I learned
At a Johnnie Walker tasting event
April 6, 1999: New Finds
Four things to know
April 5, 1999: Pass the savings on to us!
Trying to get back my hour
April 2, 1999: Big Tool
Checking back in with Commodities Cowboy Ken Roberts
April 1, 1999: Our Freedom Ride
Timothy J. Kunik campaigns for liberty at sea
March 29, 1999: Mary Schmich
The Simpleton Interview
March 25-27, 1999: The Top 10 Censored News Stories
of the Year





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Tomorrow:

A total mystery

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